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Strangers Within

India likes to celebrate its diversity, but the everyday experience of many citizens from the Northeast tells a more uncomfortable story.

Statesman News Service | New Delhi |

India likes to celebrate its diversity, but the everyday experience of many citizens from the Northeast tells a more uncomfortable story. In cities such as Delhi, Bengaluru and Mumbai ~ places that pride themselves on cosmopolitanism ~ people from states such as Manipur, Nagaland, Arunachal Pradesh and Tripura often find themselves treated not as fellow citizens but as outsiders. The problem is not new. In 2014, the killing of 19-year-old Nido Tania from Arunachal Pradesh in Delhi shocked the country.

More recently, another violent attack in the capital ~ this time involving a woman from Manipur assaulted by teenagers in a public park ~ has again exposed how easily prejudice can escalate into brutality. The details differ, but the pattern is painfully familiar. What begins as casual stereotyping often becomes something more serious. Northeastern Indians routinely report being called “Chinese” or “Nepali,” mocked for their appearance, or questioned about their food habits. These remarks are sometimes dismissed as harmless jokes. Yet they reveal a deeper problem: many people still see citizens from the Northeast as culturally foreign. The prejudice extends into everyday transactions. Young professionals and students arriving in metropolitan cities frequently struggle to find housing because landlords assume they are unreliable tenants or morally suspect.

Women from the region often face an additional burden of sexualised stereotypes. Even those in positions of authority have spoken publicly about encountering such biases. Part of the problem lies in ignorance. For decades, the Northeast has remained geographically and psychologically distant from India’s political and cultural centres. School textbooks devote little attention to its history and societies. Popular culture rarely represents its people with nuance. The result is a vacuum filled by crude assumptions. But ignorance alone does not explain the hostility. There is also a deeper failure of civic responsibility. When acts of harassment or violence occur in public spaces, bystanders frequently choose silence.

This indifference allows prejudice to flourish unchecked. Governments have occasionally responded after high-profile incidents. Committees have recommended stronger legal protections against racial discrimination, and police units in cities such as Delhi have been tasked with addressing crimes against Northeastern residents. Yet laws and official advisories cannot by themselves change social attitudes. The real challenge is cultural. India’s idea of nationhood cannot remain confined to a narrow image shaped largely by the mainland. The country stretches from the Brahmaputra valley to the hills of Mizoram and the mountains of Arunachal Pradesh.

Its citizens speak dozens of languages, follow different customs, and look different from one another. That diversity is not a threat to national unity; it is its foundation. Recognising this requires more than slogans about “unity in diversity”. It demands everyday respect ~ in neighbourhoods, workplaces and classrooms. Until Indians learn to see people from the Northeast as fellow citizens rather than curiosities or outsiders, the promise of a truly inclusive republic will remain unfinished.

‘Among my ancestors’: Michael B Jordan pays tribute to Black acting Oscar legends after bagging Best Actor Award

He thanked everyone who supported his journey and said people have kept “betting” on him throughout his career. Jordan promised to keep improving and continue becoming the best version of himself.

Statesman News Service | New Delhi |

Hollywood loves a comeback story, and this one felt electric. Michael B Jordan has finally won his first Oscar, and the crowd could feel how much it meant to him. The actor took home the Best Lead Actor trophy for playing twin brothers in the supernatural thriller ‘Sinners’. It was a big night, and Jordan did not hold back his emotions.

A win years in the making

Jordan won the lead actor award for his powerful double role as Smoke and Stack, identical twins in the 1930s-set film. In his speech, he said he stood there because of the people who came before him.

He gave a special shout-out to the five previous Black acting Oscar winners: Sidney Poitier, Denzel Washington, Jamie Foxx, Forest Whitaker, and Will Smith.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

He called them giants and said it was an honor to be counted among them.

Jordan also thanked everyone who supported his career, both in the room and at home. He said people have “bet” on him over the years, and he feels that trust. He promised to keep improving and to keep becoming the best version of himself.

A tough race with big names

This win did not come easily. Jordan was up against strong competition: Timothée Chalamet for “Marty Supreme,” Leonardo DiCaprio for “One Battle After Another,” Ethan Hawke for “Blue Moon,” and Wagner Moura for “The Secret Agent.”

Before Oscar night, Jordan had mixed results during awards season. He lost the BAFTA to Robert Aramayo for “I Swear.” He also lost the Golden Globe to Moura and the Critics’ Choice Award to Chalamet.

However, he gained momentum after winning at the Actor Awards, previously known as the Screen Actors Guild Awards. That victory helped him become the late favorite in the Oscar race.

A new front opens in the Middle East war: The battle over what is real

Trump says US strikes have crippled Iran’s military and dismissed reports of damaged American assets, while Tehran insists it has not asked for a ceasefire and will continue fighting.

Statesman News Service | Mumbai |

US President Donald Trump on Sunday (local time) accused Iran of using artificial intelligence to circulate misleading visuals about the ongoing conflict, while also attacking media organisations that reported damage to American military assets.

The remarks come as tensions between Washington and Tehran remain high following recent military strikes and counter-attacks in the region. Alongside battlefield developments, a new fight is emerging online, with both sides trading claims over what images and reports from the war can be trusted.

In a post on Truth Social, Trump alleged that Iran had a long history of manipulating information and was now using artificial intelligence to push misleading content.

“Iran has long been known as a Master of Media Manipulation and Public Relations. They are Militarily ineffective and weak, but are really good at ‘feeding’ the very appreciative Fake News Media false information.”

“Now, A.I. has become another Disinformation weapon that Iran uses, quite well, considering they are being annihilated by the day,” he said.

He claimed some videos circulating online showing Iranian attacks at sea were fabricated.

“They showed phony ‘Kamikaze Boats,’ shooting at various Ships at Sea, which looks wonderful, powerful, and vicious, but these Boats don’t exist — It’s all false information to show how ‘tough’ their already defeated Military is!” he said.

US-Israel-Iran war LIVE Updates

Trump disputes reports of damage to US military assets

Trump also dismissed reports that several American aircraft had been destroyed during Iranian strikes.

He said claims that five US refuelling planes had been badly damaged were incorrect, adding that all of them remained operational except one that would soon return to service.

The President also rejected online visuals suggesting the USS Abraham Lincoln aircraft carrier had been attacked or set on fire.

“Buildings and Ships that are shown to be on fire are not — It’s FAKE NEWS, generated by AI. For instance, Iran, working in close coordination with the Fake News Media, shows our great USS Abraham Lincoln Aircraft Carrier, one of the largest and most prestigious Ships in the World, burning uncontrollably in the Ocean. Not only was it not burning, it was not even shot at — Iran knows better than to do that!”

He went further to criticise media outlets that reported these claims, saying they should face “charges for treason” if they knowingly spread false information.

Trump says Iran ‘decimated’ but stops short of declaring victory

Speaking to reporters aboard Air Force One while travelling to Joint Base Andrews, Trump said the US military had inflicted severe damage on Iran’s forces.

“I think I’d just say they’re decimated, but I haven’t–I think that we’ve done damage to them right now. If we left right now, it would take them 10 years and more to rebuild. But I’m still not declaring it over.”

Trump claimed US operations had destroyed Iran’s air force and air-defence systems.

“Militarily, we’ve essentially–as far as I’m concerned–we’ve essentially defeated Iran. I guess they can have a little bit of a fight back, but not much. Not much. We’ve taken out their air forces, as you know. We’ve taken out their air defence. They have no air defence whatsoever,” he said.

“We’ve taken out their leadership times two, four, three–might be three, we’ll find out soon,” Trump said.

He also referred to US strikes on Iran’s Kharg Island, a key hub for the country’s oil exports, saying the US could inflict further damage if it chose to.

“We attacked Kharg Island, and it was left with just one little area standing. And the standing part is where they have the pipes, where the oil pipes come in. And we can do that on five minutes’ notice. We have it all locked and loaded and ready to go if we want to do it. But we chose not to do it–I chose not to do it yet. Let’s see what happens,” he said.

Iran denies seeking ceasefire

Trump also suggested that Iran was keen to negotiate with the United States, although he said Tehran might not yet be ready for serious talks.

“They want to negotiate. They want to negotiate badly. I don’t think they’re ready. Just on what I’m hearing, they want to negotiate badly, as they should. But I don’t think they’re ready to do what they have to do. But I think they will be ready at some point,” he said.

However, Iran rejected those claims. In an interview with CBS News, Iranian Foreign Minister Seyed Abbas Araghchi said Tehran had not asked for a ceasefire or negotiations.

“No, we never asked for a ceasefire, and we have never asked even for negotiation. We are ready to defend ourselves as long as it takes,” Araghchi said.

He added that Iran would continue defending itself until the United States ended what he described as an “illegal war”.

Jessie Buckley makes history as first Irish actress to win Best Actress Oscar for ‘Hamnet’ after sweeping awards season

Her powerful performance in the historical drama moved critics and audiences, building momentum from its festival premiere to the biggest stage in Hollywood.

Statesman News Service | New Delhi |

At first, the crowd at the Oscars may have pretended to wait for drama. But deep down, many already knew the result. Jessie Buckley had been winning everything in sight. On Sunday night, she finally added the biggest prize of all, the Academy Award for Best Actress for ‘Hamnet’. With this win, she became the first Irish actress ever to win the Oscar in this category. That alone made history.

A clean sweep before the big win

Buckley’s victory felt almost certain. She had already swept major awards this season, including the SAG-AFTRA Actor Awards, the BAFTAs, the Critics Choice Awards, and the Golden Globes.

By the time the 98th Academy Awards took place at the Dolby Theatre in Hollywood, hosted by comedian Conan O’Brien, her name was widely expected to be called.

The role that moved everyone

In ‘Hamnet’, directed by Oscar-winning filmmaker Chloé Zhao, Buckley plays Agnes, a woman who falls in love with a poor Latin tutor named William Shakespeare, played by Paul Mescal.

The story follows their marriage and the birth of their three children. But tragedy strikes when their 11-year-old son, Hamnet, dies from the plague.

The film explores the family’s deep grief and suggests how this heartbreaking loss inspired Shakespeare’s famous play ‘Hamlet’.

‘Hamnet’, released by Focus Features, received eight Oscar nominations. These included Best Picture, Best Director for Zhao, and Best Adapted Screenplay for Zhao and Maggie O’Farrell. The film was also nominated for Best Original Score, Casting, Costume Design, and Production Design.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

Religion is One

“ The world is in the chains of superstition,” said Swami Vivekananda in 1896. He had also said then, “Religions of the world have become lifeless mockeries.”

SWAMI SANDARSHANANANDA | New Delhi |

“ The world is in the chains of superstition,” said Swami Vivekananda in 1896. He had also said then, “Religions of the world have become lifeless mockeries.” He was genuinely religious and studied religions of the world keenly. He knew how clean and inspiring all religions were at the outset, before they went under the leadership of people greedy for pelf and power. Observing their downfall due to corrupt practices in them, he was deeply hurt. Religions of the world originated out of an urgency in man. They were for earning peace and perfection. They grew in an atmosphere of sovereignty.

They developed on different faiths suited to different ethos. They were pragmatic and progressive, for they recognized diversity and individual needs as obvious and offered means for their practices. They were compatible with various tastes and temperaments. There was neither disrespect nor discrimination among them. They co-existed in search of Truth and God. Amidst them, there was a healthy connection. In order to describe it he said, “Every religion is an expression, a language to express the same truth, and we must speak to each in his own language.” Therefore, faiths were the primary means, and spiritual realizations the invariable end to them.

Superstition had no room in them. Pure and simple belief in God and Truth only mattered in them. But, with the intrusion of priestcraft, they began to socially decline and degenerate into “mockeries”. Priests forged “chains of superstition” craftily and rapaciously sapped the world to their own authority and profit. Priests reduced them to mere conglomerates of rites and rituals, cunningly keeping their essentials at bay in the dense shrouds of mystery. Faiths in the hands of priests imperatively became misplaced and had eventually remained no more as means for God-realization and emancipation from afflictions, but became ends in themselves, giving rise to sturdy sectarianism.

In their wake, religions, which were once liberal, inclusive, and shorn of prejudice had now become abysses of ignorance and fanaticism with the aggressive parochial preaching by the priests. The fellow feeling between religions and the idea that they are transmogrifications of the one irreducible Eternal Religion thus petered out of the world. Swamiji said, “One infinite religion existed all through eternity and will ever exist, and this religion is expressing itself in various countries in various ways.” God is the embodiment of that Eternal Religion. Realizing God, one becomes its living example. One such would say with a firm conviction: “Only he who constantly thinks of God can know His real nature. He alone knows that God reveals Himself in different forms and different ways, that He has attributes and, again, has none.”

Eternal Religion annihilates one’s sufferings forever and makes one blissful permanently. It is directly perceptible, independent of any priestly intervention. This fact was dismissed by the priests, so that they could establish themselves as religious agents of God falsely. Swamiji gave utterances against priestly manoeuvres and tried to rescue the world from its detrimental grip. He spoke to show how religions of the world were made “lifeless” by it. He said, “When principles are entirely lost sight of and emotions prevail, religions degenerate into fanaticism and sectarianism.”

However, even in the midst of unbridled priestly activities and indoctrinations banking on gratuitous non-essentials of religions, there have always been mystics and seekers of the highest order who believed as before that religion was one and infinite but faiths were many as various means to realize it. So, they chose suitable faiths to carry out their spiritual practices, in order to realize that religion as their goal of life. Hence, their faiths served as their paths to reach it. That is why, Swamiji’s conclusion was: “If there were not different religions, no religion would survive.”

Along with it, he had also logically shown: “In essentials, all religions are one.” Swamiji and his Master were of the same ilk. They realized the Eternal Religion and had its supreme knowledge. Both being armed with the invincible spiritual wisdom as well as expertise, fought a benign battle against religious bigotry and fundamentalism perpetuated by the priesthood. In his first speech at Chicago, Swamiji famously recited from ancient texts containing the realization of such souls of yore and buttressed his view of oneness of the purposes of all faiths.

His Master Sri Ramakrishna described faiths as paths, each capable of taking aspirants to the goal which is the one endowed by the Eternal Religion. He exhorted: “Never get into your head that your faith alone is true and every other is false.” One of the verses Swamiji recited at Chicago was: “As the different streams, having their sources at different places, all mingle their water in the sea, so, O Lord, the different paths which men take through different tendencies, various though appear, crooked or straight, all lead to Thee.” Our religion was called “Vaidika Dharma” before it came to be known as “Hindu Dharma” or Hinduism which was being ascribed because it happened to be the religion of the “Hindu people”. Persians gave us the name “Hindu”.

Swamiji said, “The religion of the Vedas is the religion of the Hindus, and the foundation of all Oriental religions.” The essentials or the eternal values embedded in the Vedas constitute the scriptures or Shastras of the Hindus. Smritis do not come under their category since they are of periodical relevance and changeable vis-à-vis the changing social conditions. To consider and pass them as scriptures is wrong and harmful. Accordingly, any Smriti (social norms) of antiquity could not be deemed right for application in modern India.

Swamiji used to say that there was a need for a new Smriti in the present age for the Hindus. He was badly disturbed to see how hideously the upper caste and the rich discriminated against the lower caste and poor in Hindu society sticking to the laws of obsolete Smritis. He raised his voice against the heinous repression of the Sudras by the priestly Brahmins and spoke of “Sudra Jagaran” or awakening of the masses comprising the downtrodden whom centuries of coercion and oppression made forgetful of their human identity. Giving a call, he said to them, “Let new India arise in your place.

Let her arise ~ out of the peasants’ cottage, grasping the plough; out of the huts of the fisherman, the cobbler, and the sweeper. Let her spring from the grocer’s shop, from beside the oven of the fritter-seller. Let her emanate from the factory, from marts and from markets. Let her emerge from groves and forests, from hills and mountains. The common people have suffered oppression for thousands of years ~ suffered it without murmur, and as a result have got wonderful fortitude. They have suffered eternal misery, which has given them unflinching vitality.” Indeed, it was painful to him that, in spite of the highly egalitarian spiritual teachings of Hinduism in essence, Sudras had to unnecessarily suffer untold miseries at the hands of Hindu priests and pundits.

He said, “No religion on earth preaches the dignity of humanity in such a lofty strain as Hinduism, and no religion on earth treads upon the necks of the poor and the low in such a fashion as Hinduism.” Swamiji taught Vedanta, which is the essence of our religion. Vedanta has survived with its pristine purity through millennia for its exceptional essential impersonal spiritual aspect of harmony with other religions. He said, “In essentials, all religions are one.” We honoured and respected all religions unequivocally, until we gave ourselves into the hands of power-crazy priests who injected hatred for other religions in our hearts and minds.

Our civilization grew up on the virtues of unfettered resilience, relationship, and acceptance, taking resort to the basic principle of our religion which says Truth is one but its interpretations are many. Swamiji said to the world that we accept all religions as true. With due love and respect for world religions, he spoke about their founders, namely, Buddha, Jesus and Muhammad, publicly in the West, upholding the real spirit of our religion. It was because of the proud priests that our society became caste ridden and rife with untouchability. Swamiji said the downfall of our nation commenced the moment the word “untouchable” was introduced in our society by them.

We never knew communalism so long as its poison was infused in our psyche in an organized manner by evil forces comprising narrow-minded priests and politicians in the modern times. They cunningly legitimized it as “Shatsra Vachan”, which it was not, as its mention is nowhere to be found in Vedanta. The vitals of our collective life were unobtrusively eaten up by its menace. Swamiji saw an imminent danger of our nation being in deep trouble ahead due to its wild scourge. He, therefore, set out the responsibility of the Ramakrishna Mission to forward the work of religious harmony initiated by his Master.

He had pointedly said in the resolutions of its first meeting: “The duty of the Mission is to conduct in the right spirit the activities inaugurated by Sri Ramakrishna for the establishment of fellowship among the followers of different religions, knowing them all to be so many forms only of one undying Eternal Religion.” Usurpation of politics in the realm of Hinduism has made our country extremely weak now. Politicians have been using it for their dirty gains, removing the essential format. In order to weaponise it, they have made it fake, falsely inserting all sorts of nonsensical division, discrimination, and segregation among our people. Their tyranny over the Dalits, Adivasis and other religious communities has crossed all limits.

They have washed our brains with floods of lies about historical and religious facts and made us believe them to hate and punish those with the worst miseries, such as the snatching of their rights. To oppose a similar situation, Swamiji declared distinctly: “We preach neither social equality nor inequality but every being has the equal rights, and insist upon freedom of thought and action in every way.” This sinister activity of politicians dwelling on a redundant Smriti, which complies with their ominous agenda, is a direct assault on Hinduism.

Politicians in connivance with questionable organizations assisted by ferocious hoodlums have made a “mockery” of Hinduism, putting the Hindus in “chains” of distortions and deceptions. It is not the fault of Hinduism but of politicians who deserve to be condemned and ostracised. Swamiji said: “Religion (Hinduism) is not in fault. On the other hand, your religion teaches you that every being is only your own self multiplied. But it was the want of practical application, the want of sympathy ~ the want of heart.” Indomitably reckoning with opposing forces 130 years ago, Swamiji placed true Hinduism at the pinnacle of glory before the world outside our country and attracted numerous people from far and wide to love and respect it. Unfortunately, its ill treatment with ulterior motives relentlessly for a century after his departure has pulled it down to dust, converting it into a communal and fundamental religion.

The world looks at it now scornfully for the way Dalits, Adivasis, and the people of other religious faiths are being humiliated and tortured by so-called Hindus in our country mercilessly in the name of religion. This is the consequence of the fact that politics has spoiled our simple and ignorant Hindus, by and large, making them behave like beasts with fellow beings if they belong to the communities they hate. Lest politics destroy our country, Swamiji reminded us: “Religion is of deeper importance than politics, since it goes to the root, and deals with the essential of conduct.”

Swamiji was a well-recognized world teacher. He taught for the good of all in the world, giving the lesson of the oneness of religion and humanity. He spoke about religion and society of the East as well as of the West. He said to his Western audience significantly: “We, in India, allowed liberty in spiritual matters, and we have a tremendous spiritual power in religious thought even today. You grant the same liberty in social matters, and so have a splendid social organisation. We have not given any freedom to the expansion of social matters, and ours is a cramped society.

You have never given any freedom in religious matters but, with fire and sword, have enforced your beliefs, and the result is that religion is a stunted, degenerated growth in the European mind. In India, we have to take off the shackles from society; in Europe, the chains must be taken from the feet of spiritual progress.” Irrespective of his or her individual religious faith, an underlying Eternal Religion eternally links every one with each other on earth and forms a global family. Ramakrishna and Vivekananda discovered this truth scientifically by dint of their rigorous spiritual experiments and proclaimed it to the world at large. We will have to realise it ourselves at any price for the sake of our peaceful co-existence.

The writer is associated with the Ramakrishna Mission Ashrama, Narendrapur

Oscars In Memoriam tribute honours Dharmendra, B Saroja Devi, Manoj Kumar, Kota Srinivasa Rao alongside global icons

The Oscars 2026 “In Memoriam” segment turned the celebration into a quiet moment of reflection, remembering film and creative personalities who passed away during the year.

Statesman News Service | New Delhi |

The 98th Academy Awards had glamour, applause, and big wins, but one quiet segment made everyone pause. The “In Memoriam” tribute became one of the most heartfelt moments of the night, especially for Indian audiences watching at home.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

This year’s tribute honoured several respected personalities from the film world who passed away during the last year. Among them were beloved Indian cinema names: Dharmendra, B Saroja Devi, Manoj Kumar, and Kota Srinivasa Rao.

Their careers shaped Indian cinema for many, many decades. From powerful performances to memorable storytelling, each of them left deep impact on audiences across generations.

Global stars also honoured

The montage did not stop with Indian legends. It also remembered actor and comedian Catherine O’Hara, known for her work in both films and television.

The Academy also honoured creative personalities beyond acting. Legendary Italian fashion designer Giorgio Armani was included for his strong connection with Hollywood. His designs have often appeared on red carpets and in film collaborations.

The segment also paid tribute to Bangladeshi actress Jayashree Kabir, recognising her contribution to the film industry.

A long-standing Oscars tradition

The “In Memoriam” segment is a regular and respected tradition at the Academy Awards. It is dedicated to remembering artists, technicians, and other industry figures whose work helped shape the film world.

Through a carefully created montage of archival visuals and background music, the tribute highlighted their artistic journey and influence.

US-Israel-Iran war Updates: Netanyahu releases another video amid death rumours

Israel reported major strikes across Iran while Tehran claimed attacks on US bases, as India monitored ships and flights and global leaders warned of wider Middle East escalation.

Statesman News Service | New Delhi |

The Middle East conflict, which began on February 28, has moved into a new and more confusing phase, with military action now running alongside a fierce battle over what is real and what is not. On the latest day of escalation, US President Donald Trump accused Iran of using artificial intelligence to spread fake visuals of battlefield damage, even as fresh claims and counterclaims emerged from across the region.

Israel said it had hit more than 200 targets inside Iran over the past day, while Iran’s Revolutionary Guard claimed coordinated missile and drone strikes on four US airbases. At the same time, India said its ships and seafarers in the region remained safe, Air India outlined West Asia operations, and French President Emmanuel Macron called for an immediate end to attacks and the restoration of freedom of navigation in the Strait of Hormuz.

Latest updates on US-Israel-Iran tensions

Breaking barriers at the Oscars: Autumn Durald Arkapaw becomes the first female winner of Best Cinematography

Her win marks a major breakthrough in a category where only a few women had ever been nominated before. She also became the first female cinematographer to shoot using Imax 65mm and Ultra Panavision for ‘Sinners’.

Statesman News Service | New Delhi |

It was a big moment at the Oscars. ‘Sinners’ director of photography Autumn Durald Arkapaw became the first woman ever to win the Oscar for Best Cinematography. She also became the first woman of color to win in this category. The win marked a breakthrough in a field that has long had very few women recognized at the top level.

In the entire history of the category, only three women had ever been nominated before her. Rachel Morrison received a nomination in 2018 for ‘Mudbound.’ Ari Wegner was nominated in 2021 for ‘The Power of the Dog.’ Mandy Walker followed in 2022 for ‘Elvis.’ None had won, until Arkapaw’s victory.

Arkapaw’s success did not stop there. She also became the first female cinematographer to shoot using Imax 65mm and Ultra Panavision for ‘Sinners.’

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

When she accepted the award, Arkapaw gave credit to others who supported her journey. She thanked fellow cinematographer Rachel Morrison. And, she also shared how much love she felt from women during the campaign. She said she had met many people along the way and felt that moments like this happen because of their support.

The competition was tough. Arkapaw was nominated alongside Adolpho Veloso (‘Train Dreams’), Michael Bauman (‘One Battle After Another’), Dan Laustsen (‘Frankenstein’), and Darius Khondji (‘Marty Supreme’). Despite missing out on earlier awards, she ultimately won the biggest prize of all.

‘Sinners’ was her second project with director Ryan Coogler. They previously worked together on ‘Black Panther: Wakanda Forever.’ In a past interview, she said they support each other closely. She explained that she has learned how to see the story through his eyes and understand what he wants to express. That creative teamwork helped shape the look of ‘Sinners.’

Jimmy Kimmel uses Oscars stage to roast White House documentaries ‘trying on shoes’; a dig at ‘Melania’

Kimmel used his time on stage to highlight the importance of documentary filmmaking and free expression. He also delivered sharp jokes that touched on media controversies and included political references during the ceremony.

Statesman News Service | New Delhi |

Even without hosting duties, Jimmy Kimmel still made sure people heard his voice at the Oscars. The “Jimmy Kimmel Live” host stepped on stage to present the documentary awards, and mixed humour with a serious message.

Kimmel opened his appearance with a playful joke about Conan O’Brien. He teased that the host had gone out, “exposed his face to the sun and was incinerated,” adding that he would now finish the rest of the program.

A serious message about courage and free speech

When he turned to the documentary categories, Kimmel shifted to a more serious tone. He praised documentary filmmakers for their bravery. And he said that at award shows, people often talk about courage, but real courage is telling a story that could put someone in danger.

He pointed out that some countries do not support free speech. In a joking tone, he said he could not name them “let’s just leave it at North Korea and CBS.”

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

This comment referred to recent news involving CBS. The network reportedly decided not to allow “The Late Show With Stephen Colbert” to feature Texas State Representative James Talarico as a guest, following threats from the Federal Communications Commission (FCC). CBS had also earlier paused a “60 Minutes” segment that had been promoted.

Kimmel’s comments carried extra weight because he has faced similar issues himself. Last fall, he was suddenly taken off the air after criticism from FCC chairman Brendan Carr. The decision by Disney to remove him from broadcast became a rallying point for free speech supporters.

Praising documentary filmmakers, and a subtle dig

Kimmel also praised documentary creators around the world. He said there is an international community of filmmakers who work to tell the truth, often at great personal risk. He noted that these films can teach audiences, expose injustice, and inspire action.

Then, with a smile, he added a humorous line about documentaries that “walk around the White House trying on shoes.” The comment appeared to lightly reference Amazon MGM’s film “Melania.”

He returned to that joke later in the evening while presenting the award for outstanding documentary film. When announcing the category, he quipped, “Oh, man, is he going to be mad his wife wasn’t nominated for this.” The audience reacted to the playful dig.

A Hollywood love story revisited: Barbra Streisand’s Oscars tribute to Robert Redford leaves the room silent

Between humor and heartbreak, she painted a picture of a colleague who became a lifelong friend. The tribute carried both gratitude and goodbye in equal measure.

Statesman News Service | New Delhi |

Barbra Streisand at Oscars 2026: The room was already emotional. The giant screen had just finished rolling through the In Memoriam segment at the Academy Awards, honouring some of the most beloved names the film world lost this year. But then something unexpected happened, and suddenly the entire audience was on its feet.

A familiar voice, rarely heard live anymore, floated across the theater. And just like that, the night belonged to Barbra Streisand.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

Streisand honoured her longtime friend and legendary co-star Robert Redford with a speech full of memories, laughter, and heartbreak, before softly singing a line from the song that forever tied their names together.

Hollywood froze. Then it erupted in applause.

A surprise appearance that shook the Oscars

Even before the ceremony began, rumours were swirling that Streisand might appear. Still, when she actually walked onto the stage, it felt like a genuine shock.

Streisand has rarely performed live in recent years. After wrapping her ‘The Music… The Mem’ries… The Magic!’ Tour in 2017, she only appeared for a handful of concerts in 2019. Since then, she has mostly stepped away from live singing. In fact, she has openly admitted that performing in front of an audience gives her “the willies.”

So when she appeared during the Oscars broadcast, it instantly added electricity to the night.

Remembering a legendary co-star

Streisand’s tribute centered on the man she starred alongside in the 1973 romantic drama ‘The Way We Were’: Robert Redford.

She opened with a memory from the earliest days of the film.

“After I read the first script,” she told the audience, “I could only imagine one man in the role, and that was Robert Redford.”

But things did not start smoothly.

According to Streisand, Redford initially turned the role down. He believed the character lacked strength and conviction.

“He said the character had no backbone,” she recalled. “He doesn’t stand for anything.”

And Redford, she admitted with a smile, was absolutely right.

A story about a dark time in America

The movie takes place during the late 1940s and early 1950s, a period in American history when political fear and suspicion dominated public life.

Streisand pointed out that people during that era were often pressured into informing on friends and colleagues. Many were forced to sign loyalty oaths to prove their patriotism.

That historical context, she explained, gave the film a deeper meaning.

“It’s considered a classic love story,” she said. “But it’s also about a dark time in our history.”

The “intellectual cowboy”

As she continued speaking, Streisand described Redford with a phrase that made the audience smile.

“I called him an intellectual cowboy,” she said.

The description fit perfectly. Redford had the rugged charm of Western hero but also the thoughtful curiosity of artist.

He carved his own path through Hollywood by refusing to follow the usual rules. That bold approach eventually earned him major recognition, including the Academy Award for Best Director.

Their playful friendship

The actress shared a funny detail about how Redford liked to tease her.

He had a nickname for her. “Bob would call me ‘Babs,’” she told the crowd. She never loved the nickname.

“I’d say, ‘Bob, do I look like a Babs? I’m not a Babs, you know.’”

Still, the way he said it always made her laugh.

Their final conversation

The tribute then turned deeply emotional.

Streisand described one of the last times they spoke on the phone. The two chatted about their usual topics: politics, art, and the things they loved.

As they ended the call, Redford said something that stayed with her.

“Babs, I love you dearly and I always will.”

Streisand revealed that in the final note she ever wrote to him, she responded with the same feeling.

“I love you, too,” she wrote.

And for the first time, she signed it with the nickname he always used.

“Babs.”

A song that still lives on

After finishing the speech, Streisand paused.

Then she softly sang a brief line from the film’s iconic theme song, also titled The Way We Were.

The moment lasted only about 40 seconds. But it carried decades of memories.

The song itself has a remarkable history. It won the Academy Award for Best Original Song at the 1974 Oscars for composer Marvin Hamlisch and lyricists Alan Bergman and Marilyn Bergman.

Hamlisch also took home the Oscar for Best Original Score, giving the film two Academy Awards in total.

The song later won Song of the Year at the Grammy Awards in 1975 and was inducted into the Grammy Hall of Fame in 2008.

Golden statue split in half: ‘The Singers’ and ‘Two People Exchanging Saliva’ both win Best Action Live Short at Oscars

The Oscars delivered a rare surprise when two films were announced as winners in the Best Live-Action Short Film category. Filmmakers from ‘The Singers’ and ‘Two People Exchanging Saliva’ shared the stage after the unusual tie.

Statesman News Service | New Delhi |

On a night famous for surprises, the Best Live-Action Short Film category at the Academy Awards delivered one of the strangest and most delightful twists of the evening: a rare tie. Two very different films, ‘The Singers’ and ‘Two People Exchanging Saliva’, both walked away with the golden statue on Sunday night.

Yes, two winners. One category. And a stage moment that felt both chaotic and charming.

Even the presenters seemed a little stunned.

Two winners instead of one

The Academy Awards rarely end in ties. In fact, it has only happened seven times in the entire history of the Oscars.

The most recent tie before this year came in 2013, when ‘Skyfall’ and ‘Zero Dark Thirty’ shared the award for Best Sound Editing.

But the Best Live-Action Short category has seen this kind of drama before. More than three decades ago, in 1995, the films Trevor and Franz Kafka’s ‘It’s a Wonderful Life’ also ended up sharing the prize.

“Wait… A tie is possible?” ask ‘The Singers’ team

First up to the microphone was director Sam A Davis, accepting the award for ‘The Singers’.

His reaction? Pure disbelief.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

“Wow. I didn’t know that was a thing. A tie,” Davis told the audience with a laugh. “But I’m happy to be up here.”

The director used the moment to thank the people who helped bring the project to life. He gave a heartfelt shout-out to his parents, saying they convinced “a kid from Potterville, Michigan that this was a viable career avenue.”

Davis also thanked producers David Breschel and Jack Piatt, who he said pushed the film into existence.

But one of the most touching moments came when he spoke about the cast. The film features first-time performers, people who had never acted before and never imagined themselves appearing on a big screen.

Among them was Mike Yung, a New York City subway singer who has spent years performing underground for commuters.

Davis also gave thanks to Netflix, his girlfriend Paris, and even the La Habra Moose Lodge, joking that it felt surreal to thank the Academy in the same breath.

Before the second team came up, presenter Kumail Nanjiani could not resist cracking a joke.

“Ironic that the short film Oscar is going to take twice as long,” he quipped.

A very different film wins too

Next came the team behind ‘Two People Exchanging Saliva’, a film that could not be more different in tone.

Filmmakers Alexandre Singh and Natalie Musteata stepped up to accept the award.

Musteata began by acknowledging the unusual situation.

“We are so happy to be sharing this Oscar with ‘The Singers’,” she said.

She also thanked the other nominees and everyone who supported the project.

Then she highlighted something important about the film’s production.

“Thank you to the Academy for supporting a film that is weird and that is queer and that is made by a majority of women,” she said.

Hollywood’s longest wait? Amy Madigan turns a 40-year Oscars drought into a historic victory

Forty years after her first Oscar nomination, Amy Madigan finally heard her name called, and the moment exploded with joy on the Academy stage.

Statesman News Service | New Delhi |

Amy Madigan at Oscars 2026: The lights were bright. The tension was thick. And then suddenly, a scream of pure joy broke the calm at the 98th Academy Awards. Veteran actress Amy Madigan could barely hold back her excitement when she heard her name announced as the Best Supporting Actress winner. After decades in the industry and a nomination gap that stretched across generations, the moment felt almost unreal, even for her.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

Madigan looked giddy as she walked on stage to accept the award for her performance in the film Weapons. She laughed, she shouted, and she soaked in the applause from the audience inside the Dolby Theatre.

“This is great!” she exclaimed after letting out a cathartic scream.

Tight race with no clear favourite

The Best Supporting Actress category at the Academy Awards was one of the most unpredictable races of the night.

Madigan faced fierce competition from a diverse lineup of performances. Nominees included Elle Fanning and Inga Ibsdotter Lilleaas for the film ‘Sentimental Value’. The category also featured Wunmi Mosaku for ‘Sinners’ and Teyana Taylor for ‘One Battle After Another’.

However, Madigan entered the ceremony with a slight edge. Earlier in the awards season she had already won major prizes, including the Critics Choice Awards and the Screen Actors Guild Awards, which hinted that Oscar voters might also favour her.

Still, the outcome remained uncertain until the envelope was opened.

A nomination gap four decades long

For Madigan, the victory carried an emotional weight that few Oscar moments can match.

Her nomination for ‘Weapons’ marked her first Oscar nomination in 40 years. The last time she competed in the same category was for her performance in the 1985 drama ‘Twice in a Lifetime’.

During her acceptance speech, Madigan joked about the difference between that awards season and this one.

“What’s different is I got this little gold guy!” she laughed while holding up the Oscar statuette.

Why she refused to skip the thank-yous

During awards season, winners are often warned not to mention too many names in their speeches. But Madigan made it clear she had no intention of following that advice.

“We were kind of advised, ‘Don’t say all these names because nobody knows who the hell these people are,’” she told the crowd. “But you’re not just rattling them off. They’re people that mean something to you.”

She thanked those involved in the making of ‘Weapons’, including director Zach Cregger, along with her family and collaborators who supported her journey.

The only Oscar nod for ‘Weapons’

Another reason the moment felt special was the fact that Madigan was largely representing her film alone.

‘Weapons’ received just one nomination at the Oscars, and that was hers.

Madigan said she attended many awards events during the season mostly by herself. But instead of feeling isolated, she found warmth and friendship among the other nominees.

Actors from competing films welcomed her with open arms.

“When I was doing all the ‘Weapons’ awards stuff, I was traveling on my own,” she said. “People from ‘One Battle’ and people from ‘Sinners’ and all the films just kind of gave me a hug and said, ‘Come on in.’”

A record-breaking Oscars moment

Madigan’s victory also made Academy Awards history.

With her first nomination arriving 40 years before her first win, she now holds the record for the longest gap between a first nomination and a first victory for an actress.

The previous record belonged to Geraldine Page. Page won the Oscar for her role in ‘The Trip to Bountiful’ at the Academy Awards, 32 years after her first nomination for the 1953 western Hondo.

Madigan’s win officially pushed that record even further.

Historic night: Asian women become first winners in Best Animated Feature category with ‘KPop Demon Hunters’

The animated adventure about K-pop idols secretly battling demons has become a global phenomenon since its release. With its hit song “Golden” still in the Oscar race, the film’s winning streak may not be over yet.

Statesman News Service | New Delhi |

On a glittery night at the Academy Awards, one animated movie practically owned the moment. The wildly popular ‘KPop Demon Hunters’ marched onto the stage and grabbed the Oscar for Best Animated Feature, beating a packed lineup of contenders and proving that its global fan army is very real.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

The Netflix hit, already known as the platform’s most-watched movie ever, defeated fellow nominees Arco, Elio, Little Amélie or the Character of Rain, and Zootopia 2. By the time the envelope opened, many in Hollywood were already whispering the same thing: this victory had been building for months.

The awards run that no one could stop

The Oscar win was simply the final crown in a long line of victories for KPop Demon Hunters.

The film has been sweeping awards all season. It won Best Animated Film at the Golden Globe Awards, the Critics Choice Awards, and the Producers Guild of America Awards. On top of that, it dominated the animation world by winning 10 trophies at the Annie Awards.

An emotional speech that touched the room

When director Maggie Kang stepped up to accept the award, the moment turned emotional.

She thanked the Academy and the film’s fans before speaking directly about representation. Fighting back tears, Kang said she was grateful to everyone who supported the movie, especially people who saw themselves reflected on screen.

She acknowledged how long it took for a film like this to exist. Kang said she was sorry it took so long for audiences who “look like me” to see themselves in a story like this, but added that the film’s success means future generations won’t have to wait.

A historic win for Asian women

The film was directed by Maggie Kang and Chris Appelhans, and produced by Michelle LM Wong.

The Oscar victory also created a historic moment. Kang and Wong became the first female Asian winners ever in the Best Animated Feature category.

Sequel is already on the way

The success of KPop Demon Hunters is far from over.

Just last week, a sequel was officially announced. Kang and Appelhans will return to write and direct the follow-up, which is currently aiming for a 2029 release.

The upcoming film will also kick off the duo’s new exclusive multi-year animation deal with Netflix, giving them a major creative partnership with the streaming giant.

Conan O’Brien drops the sharpest Oscars monologue yet, roasting Timothée Chalamet and (of course) Netflix!

A chaotic comedy sketch with killer kids kicked off the ceremony before the host walked on stage in a tux. The jokes quickly turned sharp, with playful digs at actors, musicians and streaming giants.

Statesman News Service | New Delhi |

The jokes started flying the moment the lights came on at the Academy Awards, and host Conan O’Brien wasted no time poking fun at some of Hollywood’s biggest names. His opening monologue on March 16 set the tone for a night that was cheeky, playful and just a little bit savage.

Here’s how the comedian turned Hollywood’s biggest night into his personal comedy playground.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

Conan O’Brien opens with chaos and killer kids

Before he even walked onto the stage, O’Brien had already started the comedy.

The show kicked off with a pre-taped skit where he appeared in heavy makeup as Aunt Gladys, a character from the film ‘Weapons’, played by Amy Madigan. In the clip, O’Brien hilariously interrupted scenes from several Best Picture nominees while being chased by the movie’s creepy killer kids.

The scene suddenly switched to a live moment inside the famous Dolby Theatre in Los Angeles. A group of kids ran into the theatre chasing a stuntman, and seconds later, O’Brien walked out on stage looking perfectly polished in a tuxedo.

Timothée Chalamet becomes the first joke

O’Brien then turned his attention to one of the most talked-about actors of the night: Timothée Chalamet.

The comedian referenced the recent online controversy sparked by Chalamet’s comments about ballet and opera. Those remarks had drawn criticism from people in the performing arts world.

So naturally, O’Brien had a punchline ready.

“Security is very tight tonight,” he joked. “There’s concerns about attacks from the ballet and opera communities.”

Then he looked directly toward Chalamet in the audience and added another line.

“They’re just mad you left out jazz.”

A political warning… with a Kid Rock twist

The host also teased that the ceremony could turn political.

But instead of delivering a serious speech, he twisted the idea into another joke.

“I should warn you tonight could get political,” O’Brien told the audience. “And if that makes you uncomfortable, there’s an alternate Oscars being hosted by Kid Rock.”

Then came the punchline.

“It’s at the Dave & Buster’s down the street.”

Netflix boss Ted Sarandos gets roasted

O’Brien didn’t stop with actors and musicians. Streaming giant executives were also fair game.

The host took a playful jab at Ted Sarandos, joking that the ceremony might actually be the executive’s first visit to a real movie theatre.

In a mock impression of Sarandos, O’Brien joked: “Why are they all together enjoying themselves? They should be home alone, where I can monetize it.”

Hosting the Oscars, again

This year marked O’Brien’s return to hosting duties after taking the job for the first time last year. The 2026 ceremony was the 98th Academy Awards, held again at the Dolby Theatre.

And while the monologue looked effortless on stage, O’Brien had already revealed that writing jokes for the Oscars is actually very tricky.

In the days before the ceremony, O’Brien appeared on Jimmy Kimmel Live! and explained how fast the world moves while writers are preparing the script.

He said the team started working on the monologue in late December and early January. But by the time the Oscars arrive, many jokes can already feel outdated.

Priyanka Chopra shows up to the Oscars looking like a bride, and Nick Jonas can’t take his eyes off her

Priyanka Chopra grabbed attention at the Oscars when she walked the red carpet in a stunning strapless white gown. With Nick Jonas by her side, the star looked elegant and confident as cameras flashed all around them.

Statesman News Service | New Delhi |

Priyanka Chopra and Nick Jonas at Oscars: The red carpet at the Academy Awards is usually full of drama, sparkle, and fashion surprises. But this year, one star quietly stole the spotlight before the ceremony even began. Enter: Priyanka Chopra, and yes, she looked like she had just walked out of a fairytale wedding.

A wedding dress… at the Oscars?

When Priyanka arrived to present an award at the ceremony, cameras instantly turned toward her. The reason? Her stunning strapless white gown. The dress looked strikingly similar to a bridal outfit flowing elegantly and glowing under the flashing lights.

Standing beside her was husband Nick Jonas, who accompanied her on the carpet like the proud partner he is. The couple posed together. They smiled comfortably as photographers snapped away.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

The look quickly became one of the most talked-about fashion moments of the night. Some fans joked online that Priyanka had brought “bridal couture energy” to Hollywood’s biggest awards night.

And honestly, she pulled it off effortlessly.

Busy with her new film ‘The Bluff’

While the glamorous appearance grabbed headlines, Priyanka has been juggling a packed schedule lately. The actor is currently promoting her upcoming pirate adventure film, ‘The Bluff’.

In a recent conversation with Marie Claire, she spoke openly about the tough side of filmmaking.

According to Priyanka, making a movie is only half the battle.

“Making movies is not easy,” she said. “Getting them sold and getting people to watch them is even harder.”

Her sweet words about Nick

While discussing work, Priyanka also got candid about her marriage to Nick Jonas, and her words were full of warmth.

She admitted that life now feels impossible to imagine without him.

“It feels like I don’t remember life before my husband,” she said. “It feels like he’s been in my life forever.”

The actor added that their relationship feels grounded and simple despite their busy lives. She described their shared routine as a “little life and little family” that they protect no matter how hectic things get.

In fact, she revealed that she often rushes home immediately after work.

Sometimes that means removing makeup in the car, changing clothes on the way to the airport, and heading straight back just to be with family.

The balance that makes it work

Priyanka also praised Nick’s personality, calling him thoughtful and emotionally intelligent.

She said he is someone who takes time to understand people and situations. That calm wisdom, she explained, has helped their relationship grow stronger.

According to Priyanka, their secret is simple: supporting each other so both partners can become their best selves.

And judging by their glowing red-carpet appearance, that balance seems to be working beautifully.

Iran protests, internet blackout, travel ban shadow historic Oscar nod for Iranian documentary ‘Cutting Through Rocks’

An Iranian documentary made history at the Oscars, but the celebration came with heartbreak as its central figure could not attend due to the US travel ban. Filmmakers used the moment to speak about protests.

Statesman News Service | New Delhi |

Hollywood’s most glamorous night came with a quiet ache this year. While cameras flashed and champagne flowed at the Academy Awards, the team behind the Iranian documentary ‘Cutting Through Rocks’ found themselves celebrating history, and mourning the people who could not be there to share it.

Their film had just reached a major milestone: an Oscar nomination. But the moment was bittersweet, filled with pride, politics, and painful distance from home.

Also Read: Oscars 2026: Full list of winners at the 98th Academy Awards

A historic moment for an Iranian documentary

The filmmakers behind ‘Cutting Through Rocks’ arrived at the Oscars carrying more than just excitement. They carried the weight of representing ordinary Iranians on one of the world’s biggest stages.

Co-director Mohammadreza Eyni said the moment felt like a huge responsibility.

According to him, the team does not see itself as political figures. Instead, they see themselves as storytellers speaking for everyday people in Iran.

The nomination itself is historic. The film is believed to be the first Iranian documentary feature to receive an Oscar nomination while telling a story directly rooted in Iranian society. The project took eight years to complete; nearly a decade of filming, editing, and waiting for the story to reach audiences worldwide.

But the celebration felt incomplete.

The star who couldn’t walk the red carpet

The heart of the documentary is its central character, Sara Shahverdi. Yet the woman whose life story powers the film was not able to attend the ceremony.

Shahverdi was barred from traveling to the United States because of a new immigration restriction introduced by the White House in December 2025. The policy limits entry for citizens from 12 countries, including Iran.

For the filmmakers, that absence was painful.

Co-director Sara Khaki explained that Shahverdi represents exactly kind of courage and resilience the film celebrates. Not having her present during such a historic moment made the celebration feel incomplete.

The travel restrictions affected others in the film world as well. Palestinian actor Motaz Malhees, who appears in the Tunisian Oscar-nominated film The Voice of Hind Rajab, was also unable to attend the ceremony because of the same policy.

When the internet goes silent

Even more heartbreaking for the filmmakers is the difficulty of sharing their moment with people back home.

Iranian authorities imposed an internet shutdown earlier this year as protests spread across the country. Demonstrations have been fueled by public anger over the economic crisis and dissatisfaction with the government.

The blackout has drawn international criticism and has been widely described as a violation of human rights.

For the filmmakers, the shutdown has made something very simple impossible: showing their success to the people who inspired the story.

Eyni revealed that the team cannot even send photos or videos from the Oscars to Shahverdi or to supporters inside Iran. The digital silence has cut them off from the very community they hoped to celebrate with.

After eight years of work, they had dreamed of sharing the achievement with audiences back home.

Instead, that connection remains out of reach.

Oscars 2026: Full list of winners at the 98th Academy Awards

Hollywood’s biggest night is underway as the 98th Academy Awards reveal the best films and performances of the year. Here is the full list of Oscars 2026 winners, updated live as each category is announced during the ceremony.

Statesman News Service | New Delhi |

Oscars 2026 Full List of Winners: The champagne is flowing, diamonds are flashing, and Hollywood is once again pretending it doesn’t care about winning, while secretly caring a lot. The Academy Awards are unfolding live at the Dolby Theatre in Los Angeles, where the biggest stars in film have gathered to see who takes home the famous golden statuette tonight.

This year’s race has been especially dramatic. The film ‘Sinners’ stormed the nominations with a record 16 nods, while strong competition came from ‘One Battle After Another’ and ‘Frankenstein’. As winners are announced throughout the night, we’re updating the list live. So keep refreshing for the latest Oscar glory, surprises, and maybe a few shocked faces in the audience.

Best supporting actress

Elle Fanning, Sentimental Value
Inga Ibsdotter Lilleaas, Sentimental Value
Amy Madigan, Weapons – WINNER 
Wunmi Mosaku, Sinners
Teyana Taylor, One Battle After Another

Also Read: Hollywood’s longest wait? Amy Madigan turns a 40-year Oscars drought into a historic victory

Best animated feature film

Arco
Elio
KPop Demon Hunters – WINNER
Little Amélie or The Character of Rain
Zootopia 2

Also Read: Historic night: Asian women become first winners in Best Animated Feature category with ‘KPop Demon Hunters’

Best animated short film

Butterfly
Forevergreen
The Girl Who Cried Pearls – WINNER
Retirement Plan
The Three Sisters

Best costume design

Avatar: Fire and Ash
Frankenstein – WINNER
Hamnet
Marty Supreme
Sinners

Best makeup and hairstyling

Frankenstein – WINNER
Kokuho
Sinners
The Smashing Machine
The Ugly Stepsister

Best live action short film

Butcher’s Stain
A Friend of Dorothy
Jane Austen’s Period Drama
The Singers – JOINT WINNER
Two People Exchanging Saliva – JOINT WINNER

Also Read: Golden statue split in half: ‘The Singers’ and ‘Two People Exchanging Saliva’ both win Best Action Live Short at Oscars

Best casting

Hamnet
Marty Supreme
One Battle After Another (Cassandra Kulukundis) – WINNER 
The Secret Agent
Sinners

Best supporting actor

Benicio del Toro, One Battle After Another
Jacob Elordi, Frankenstein
Delroy Lindo, Sinners
Sean Penn, One Battle After Another – WINNER
Stellan Skarsgård, Sentimental Value

Best adapted screenplay

Bugonia
Frankenstein
Hamnet
One Battle After Another – WINNER
Train Dreams

Best original screenplay

Blue Moon
It Was Just an Accident
Marty Supreme
Sentimental Value
Sinners – WINNER

Also Read: Sinners music honours Black voices through blues and jazz; what awards mean for artists rising from oppression

Best production design

Frankenstein – WINNER
Hamnet
Marty Supreme
One Battle After Another
Sinners

Best visual effects

Avatar: Fire and Ash – WINNER
F1
Jurassic World Rebirth
The Lost Bus
Sinners

Also Read: Zoe Saldana becomes highest-grossing actor of all time after ‘Avatar: Fire and Ash’ box office collection surges

Best documentary short film

All the Empty Rooms – WINNER
Armed Only With a Camera: The Life and Death of Brent Renaud
Children No More: Were and Are Gone
The Devil Is Busy
Perfectly a Strangeness

Best documentary feature film

The Alabama Solution
Come See Me in the Good Light
Cutting Through Rocks
Mr Nobody Against Putin – WINNER
The Perfect Neighbor

Best original score

Bugonia
Frankenstein
Hamnet
One Battle After Another
Sinners (Ludwig Göransson) – WINNER

Best sound

F1 – WINNER
Frankenstein
One Battle After Another
Sinners
Sirât

Best film editing

F1
Marty Supreme
One Battle After Another – WINNER
Sentimental Value
Sinners

Best cinematography

Frankenstein
Marty Supreme
One Battle After Another
Sinners – WINNER
Train Dreams

Best international feature film

The Secret Agent
It Was Just an Accident
Sentimental Value – WINNER
Sirât
The Voice of Hind Rajab

Best original song

Dear Me, Diane Warren: Relentless
Golden, KPop Demon Hunters – WINNER
I Lied To You, Sinners
Sweet Dreams of Joy, Viva Verdi!
Train Dreams, Train Dreams

Best actress

Jessie Buckley, Hamnet – WINNER
Rose Byrne, If I Had Legs I’d Kick You
Kate Hudson, Song Sung Blue
Renate Reinsve, Sentimental Value
Emma Stone, Bugonia

Best actor

Timothée Chalamet, Marty Supreme
Leonardo DiCaprio, One Battle After Another
Ethan Hawke, Blue Moon
Michael B Jordan, Sinners – WINNER
Wagner Moura, The Secret Agent

Best directing

Chloé Zhao, Hamnet
Josh Safdie, Marty Supreme
Paul Thomas Anderson, One Battle After Another – WINNER
Joachim Trier, Sentimental Value
Ryan Coogler, Sinners

Best picture

Bugonia
F1
Frankenstein
Hamnet
Marty Supreme
One Battle After Another – WINNER
The Secret Agent
Sentimental Value
Sinners
Train Dreams