In this flurry of saccharine sentimentality, we forget to ask a fundamental, uncomfortable question: in India, who gets to choose motherhood, and who doesn’t? Is it a privilege shaped by class?
The story of Sushmita and Debasish Ukil began when they met via their common friends back in the early 2000s, and sparks flew.
Indian Music and Culture Council is an esteemed institution encompassing all of India. Under the tutelage of like-minded people, the institution WAS formed in 1976 on 23 January in the heart of Kolkata.
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In the turbulent 1970s, Satyajit Ray turned his lens on Kolkata — a city caught between political unrest, corporate greed and moral collapse. Through his iconic Calcutta trilogy, Ray crafted an unflinching portrait of urban alienation, following three disillusioned protagonists as they steer through a city that demands survival at any cost. Ray explored how Kolkata becomes both a character and a crucible in cinema, reflecting the anxieties of a generation and a metropolis teetering on the edge.
In the heart of the Himalayas lies a land of extraordinary beauty—and extraordinary fragility. Kashmir, long known for its snow-capped mountains, pristine lakes, and centuries-old cultural heritage, is today walking a tightrope between economic revival and political volatility.
Moushumi and Siddhartha Chakraborti’s journey of eventual love and soon after, becoming one, fulfils the expectations of a happy marriage with the ingredients of love, understanding, and acceptance.
For India, Cannes 2025 marks not just a presence, but a pivot. Neeraj Ghaywan’s Homebound, selected for Un Certain Regard, is the single Indian film representing the country in Cannes’ official feature film selection this year. But
Srijit Mukherji’s Hindi debut Begum Jaan, a big hit in its original Bengali version Rajkahini, was a failure in Hindi.
More than a century on—and on the day we mark Bram Stoker’s death anniversary—Dracula still chills.
