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Rawat launches verbal volley against BJP
Rawat has asked the state government officers to compile data about individuals who have purchased land in big numbers in the hill state before demonetisation.
Uttarakhand Chief Minister Harish Rawat (Photo: Facebook)
Uttarakhand Chief Minister Harish Rawat has asked the state
government officers to compile data about individuals who have purchased land
in big numbers in the hill state before demonetisation. Rawat alleged that the
BJP leaders had information about the plan of the central government to ban Rs.500 and Rs.1,000 currency notes. Mocking the BJP leaders,Rawat asked, “Before
demonetisation who inspired the BJP leaders to buy land?”
The CM has directed
compilation of land sale data of the past 2-3 months. With Uttarakhand state
assembly election due early next year,Rawat is looking for some scams of the
BJP to counter the opposition party.But,if Rawat was confident that the BJP
leaders have purchased land before currency ban he should have ordered an
inquiry- rather than conducting a data collection exercise. It is generally
observed that the Uttarakhand chief minister repeatedly claims before
media,“The BJP should remain silent otherwise I will expose their misdeeds.”
Even after repeating
similar claims many times, Harish Rawat has not made the any BJP scam public so
far. Which indicates the scenario is bleak and he is unlikely to take any
strong action even if he gets favourable data. Rawat is devoting his energy in
election campaign in Uttarakhand these days, as many top BJP leaders have
visited Uttarakhand so far and all have narrated the TV sting operation of the chief
minister in their public address.
Delhi’s six traffic intersections to get air purifiers
Sisodia directed immediate implementation of air purifiers at six traffic intersections to fight pollution especially with the onset of winters.
Deputy Chief Minister Manish Sisodia (Photo: Facebook)
The Deputy Chief Minister Manish Sisodia on Wednesday directed
immediate implementation of air purifiers at six traffic intersections to fight
pollution especially with the onset of winters. According to Delhi government
official,in collaboration with the PWD,National Environmental Engineering
Research Institute (NEERI) will design and execute induceddraft creation units
at five major traffic intersections in Delhi.
“The IDC at IIT
Bombay will help NEERI design for these traffic intersections. Such a unit has
the potential to reduce carbon monoxide and particulate emission by 40%-60%
emission in 20-30 metre radius during peak hours of traffic,” said an official.
The office further added that NEERI, a research institute created and funded by
Government of India,has been given the mandate to design and implement these
solutions. As per the official, in a pilot study executed in IIT Bombay on JVLR
Road shows reduction of 55-76% for PM2.5 and 73- 88% for PM10.
“Air quality sensors, anemometers, camera and counters
will be mounted on these units for better mapping which will enable robust data
assimilation and analysis,” stated the official. This step will also
execute directions of the Central Pollution Control Board (CPCB) to DPCC dated
29 December,which requires action on creating green buffers along traffic
corridors, and reduce kerbside pollution and intervene at road traffic
intersections using different technologies, as per the directions. Besides,the
Deputy CM also ordered DPCC to conduct the five studies regarding air pollution
along with NEERI,which will result in concrete deliverables, which will help
the Delhi government to curb the menace of air pollution. In addition, Sisodia
directed immediate implementation of six new measures to curb the menace of air
pollution in Delhi.
The ideas and their proposals stem from scientific reports
of Government of India by CPCB, CSIR and NEERI and orders of the National Green
Tribunal (NGT). “These include feasibility of use of cow dung, sewage
sludge, alum sludge for its possible fuel pellets, tiles, bricks or other
useful material, design of air pollution control system for green
crematorium,design of passive venting system for dumpsite, design and policy
document for brick kilns air pollution control and design of a clean tandoor
community kitchen system,” added the official. On increasing pollution
levels,especially with smog engulfed today, Sumit Sharma, Fellow , TERI (The
Energy and Resources Institute) said,”In absence of stringent emission
control measures, air quality is hugely dependent on meteorology.
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Winning accolades
The programme aimed at developing the imagination, creativity and independent thinking.
Fest and fun
Around 800 children from 21 schools across Kolkata participated in the two-day on-stage and off-stage events.
An enduring legacy
Art for Concern presents a two day exhibition of Traditional and Folk Art at the Hungarian Information and Cultural Centre this week (25-26 November).
In an attempt to showcase
indigenous art forms and artists and ensure their legacy endures, Art for
Concern presents a two day exhibition of Traditional and Folk Art at the
Hungarian Information and Cultural Centre this week (25-26 November). The show
features four traditional and folk artists- Manisha Jha, Rajendra Shyam,
Kailash Chand Kumawat and Jijulal. With
a pan Indian reach, the exhibition showcases Mata ni Pachedis from Gujarat and
Kalighat paintings from the east next to Kalamkari from Andhra Pradesh. Madhya
Pradeshi Gond works hang besides striking Chola bronzes from Tamil Nadu, Phads
and Pichwais. “In their myriad forms, these traditional arts are so varied that
to even call them a group forces unwarranted homogeneity upon them, yet all are
linked by the threat of disappearance. In a country with such a vast collection
of traditional and folk art forms, these artists barely receive the exposure
and patronage they require to find subsistence and stay relevant,” rightly
avers Radhika Gulati, director, Secure Giving.
Kailash Chand Kumawat hails
from a small village in Rajasthan, where his grandfather was a miniature artist
and the family has continued the tradition. He says a high degree of skill is
required and this art is carried out delicately with a with a fine squirrel
hair brush. His entire family is involved in this work and he takes pride that
through his work people are aware of this art form.
Manisha is a Mithila artist
by tradition and a trained architect by profession. Born in village Satlakha of
Madhubani district in Bihar, Manisha learnt this art from her mother and
grandmother. She has been practising this art for last 30 years, and has been
fortunate enough to have held more than 50 exhibitions since 1998, thus not
really ranking as an obscure or underprivileged artist. Manisha Jha lives and works from New Delhi.
Jijulal V M is a very highly
reputed Kerala Mural artist with over 10 years of experience. He was born in
Kozikhode District of Kerala and continues to live and work from there.
Born in Patangarh on 20 July,
1982, Rajendra Kumar Shyam is an established Gond artist. The Gonds are a folk
indigenous to the Gondwana region. They express themselves through song, dance
and festivals. Their art form draws from the wildlife and forests surrounding them,
and replicates the vibrant hues and rich textures seen in their community.
Shyam took to the Gondi style at an early age. He has participated in “Gond
Painters Camp” organised by Lalit Kala Academy, Kerala.
Though each of the works are intricate and detailed
as characteristic of the Indian traditional arts, it is Kailash Kumawat, who
takes the cake this time, with his portrayal of India’s erstwhile royalty. With
a good eye for colour, he combines the traditional red and gold to absolute
advantage. His treatment of fabric, the gold embroidery, likewise is flawless,
retaining sheen and luster almost better than the real. The sheer labour
required to make a work seems quite phenomenal. Manisha Jha, too, does very
intricate Madhubani works containing a strong narrative element. Then again, Jijulal V M and Rajendra
Kumar Shyam have their own stylistic legacies to carry, evolving and developing
method and material as they go.


































