Shoojit Sircar reflects on the impact of Satyajit Ray’s work
Shoojit Sircar celebrates Satyajit Ray's enduring influence on filmmaking and takes on the role of jury judge at the 2024 Indian Film Festival of Melbourne.
Shoojit Sircar celebrates Satyajit Ray's enduring influence on filmmaking and takes on the role of jury judge at the 2024 Indian Film Festival of Melbourne.
On a bright Sunday morning of 2 June, Kolkata vibed with the rhythms of western classical music under the auspices of the Southern School of Music (Garia) at the packed ICCR’s Satyajit Ray auditorium.
Satyajit Ray found himself at D.J. Keymer & Co, an esteemed British-owned advertising agency, where he cut his teeth as a junior visualiser
Vice-chancellor of Kalyani University Dr Amlendu Bhuiyan lighted the ceremonial lamp.
Satyajit Ray is probably one of the greatest directors ever and his films were powerful, said eminent Australian filmmaker Bruce Beresford today.
Even in Satyajit Ray’s classic film Charulata, the binoculars are symbolic props.
Orchestrated by June Ananya Pal, a revered cultural activist with strong ties to Kolkata, the event, aptly titled Music & Beyond, captivated the audience
On the occasion of World Music Day, 21 June, not far away, Nairobi is going to see compositions by famous India composers like Satyajit Ray, RD Burman, AR Rahman and others.
Asking about his preparation techniques, Sardar said, “Out of the six subjects, I dedicated 4 hours a day to every subject.
The Indian artists whose names graced the list were but few. Benode Behari, Nandalal, Ramkinkar, Rabindranath, Abanindranath and for a change Jamini Roy. No artist from Bombay could find favour in this elite list.
