'Pather Panchali' won at Cannes in 1956. Sixty-six years later, Anik Dutta shot its origin story in black and white, with Ray's son watching, and called it a labour of love. That is what obsession looks like when it is handled well.
A toy gun, a flute, and a silent battle between two children become a haunting reflection of class and power. In just 12 minutes, Satyajit Ray turned silence into one of cinema’s sharpest social commentaries with 'Two'.
Apu’s story drifts through loss, silence, and fleeting moments of love that shape a deeply human journey. In the end, it finds something fragile yet unbreakable: the quiet persistence of hope that keeps life moving forward.
On the mighty Satyajit RayÊs death anniversary which was on 23 April his son Sandip Ray remembered his father
Priyadarshan has finally addressed the storm over ‘Bhooth Bangla’ song lines allegedly borrowed from a Satyajit Ray classic. Fans are debating whether it’s homage or plagiarism.
Vice-chancellor of Kalyani University Dr Amlendu Bhuiyan lighted the ceremonial lamp.
Satyajit Ray is probably one of the greatest directors ever and his films were powerful, said eminent Australian filmmaker Bruce Beresford today.
Even in Satyajit Ray’s classic film Charulata, the binoculars are symbolic props.
Orchestrated by June Ananya Pal, a revered cultural activist with strong ties to Kolkata, the event, aptly titled Music & Beyond, captivated the audience
On the occasion of World Music Day, 21 June, not far away, Nairobi is going to see compositions by famous India composers like Satyajit Ray, RD Burman, AR Rahman and others.
