Love it, hate it. But you can’t be indifferent to what writer-director Venkatesh Maha has done in the riotously wonky Rao Bahadur (Telugu), a film so twisted in its head, you will carry it to your bed and then wake up wondering what you saw the night before.
Playing an actor from the 1950s, Dulquer Salmaan is supposed to do a lot of hammy acting while the camera rolls in the film within a film. Camera consciousness attains an all-new definition in Kantha.
The film’s balance of comedy, adventure, suspense keeps viewers hooked from start to finish. It also encourages reflection on important social issues in a way that is accessible for younger audiences. But does it lose its appeal for adults while doing so? No.
Writer-director Mehran Amrohi, who has struggled for ten years to finally get his directorial debut into movie theatres, deserves a standing ovation for his minimalist masterpiece, Chidiya
Helmed by Rishab Seth (Cash, Ready 2 Mingle), Dhoom Dhaam is all noise and just nothing else with the two leads running throughout the 149-minute runtime.
Kerala High Court recommends delaying movie reviews for 48 hours to combat biased critiques and ensure fair evaluations.
Vijay Deverakonda's, Liger already had the nation going mad for it much before its release with its action-packed trailer and foot-tapping songs, and during the promotions too.
The strength of the movie is the climax. Except for the climax, the movie has nothing to provide in the name of new.
A kind of a comedy that comes in once in a while with refreshing dialogue, new situational comedy elements and is just plain fun.
The film feels like a Mad Max Fury Road; only it’s without the cars and trucks, and the genre is not dystopian. The sandy dunes will remind you of the film.
