PM Modi praises completion of Anji Khad Bridge, India’s first cable-stayed rail bridge
In response to Union Cabinet Minister of Railways, Ashwini Vaishnaw’s tweet informing the completion of the bridge, the PM lauded the project.
In response to Union Cabinet Minister of Railways, Ashwini Vaishnaw’s tweet informing the completion of the bridge, the PM lauded the project.
Except for the Dhaka-Sylhet-Shillong-Guwahati-Dhaka route, service on four other routes would resume from Friday and the first bus would start from Motijheel at 7:00 am, added Islam.
A kind of a comedy that comes in once in a while with refreshing dialogue, new situational comedy elements and is just plain fun.
As audiences, one can go in to enjoy the dances on the remixed Punjabi tracks; Street Dancer 3D is worth every penny in that regard, but more than that everything else takes a backseat.
The effort to make the film a comedy shows and the desperate manipulation of situations to make them look improvised and comic does not materialize to give any results.
Meghna Gulzar’s honest attempt to convey a story strengthened by the performances of its actors is an important movement in the genre of socially realist cinema that has seen a kind of contemporary revival in the film industry. The only crucial difference being that this time, this movement in cinema is not being heralded by the ones on the outlines, but by the mainstream actors of Bollywood.
Loosely based on the historical life of Tanaji Malussare and the Battle of Sinhagad (1670), Tanhaji: The Unsung Warrior is a brave attempt to fictionalise popular regional folklore to create something entertaining.
Good Newwz epitomizes a complete family entertainer, a genre that has progressed from derogative remarks on marriage, women, etc to something much more.
A first of a kind venture that comes with the legacy of 75 years stronghold from the United States and wishes to establish itself in line with popular giants like McDonald’s, it still has a long way to go.
‘I find myself really blessed in a position wherein I can speak to people with regards to a possibility of an alternative narrative because masculinity in our patriarchal society has major misconceptions. It’s toxic.’
After John Abraham set an impressive example with Batla House, a chink in the armour of Nationalist Cinema, Vidyut Jammwal’s Commando 3 re-established the godly suave and unquestionable swagger of a ‘bharatwadi’ as he calls himself in the film.
As Motichoor Chaknachoor came to a close, one began wondering whether our obsession with marriage as a society will ever wean away. Almost all romantic comedies these days thrive on the idea of looking for a lover or a to-be bride/ groom or something similar to that. Let alone the experimentation with form, we are obsessed with the same content and the tensions around it.
Without trying to generalize, perhaps the reason being their timing as such, films like Dream Girl and Bala are part of the self-love phase chapter of the society.
Coming from a debutant director Tushar Hiranandini, the perspective and portrayal of women is done through a sensitivity of a kind that is rare in ‘men’ filmmakers.
Laal Kaptaan does have its own unique flavour but the taste of which is surprisingly bland. There are moments of innovation and characters that stay with you, but the overall dynamic of the film failed to make the kind of mark it intended to.
