It was a Saturday evening with a difference. Budhaditya Bhattacharyya, a young Indian classical vocalist, enthralled a group of selected audience members on the terrace of Birla Academy of Art and Culture on 29 March.
The latest movie to face this kind of censorship is Sandhya Suri's Santosh, which was screened at the Cannes Film Festival last May to huge applause and acclaim.
Ram Charan is not a great actor. But he has worked hard to prove he is more than the legendary Chiranjeevi’s son.
Renowned poet, playwright, storyteller and critic Partap Sehgal received the 4th Azhar Alam Memorial award recently at Gyan Manch, Kolkata, during the 14th National Theatre Festival organised by Little Thespian.
Boys will be boys—Until they’re something much worse
Actor-turned-director Parambrata Chatterjee’s thirteenth directorial venture is not an easy watch. It is verbose (so either you are fluent in Bengali or a fast reader), deeply tragic and unabashedly resilient in its quest for the essence of life within the marital domain.
The Bengali film industry should take a leaf out of its Telugu counterpart’s handbook to ensure regular commercial releases outside West Bengal, said star actor Abir Chatterjee.
Helmed by Rishab Seth (Cash, Ready 2 Mingle), Dhoom Dhaam is all noise and just nothing else with the two leads running throughout the 149-minute runtime.
Dexter: Original Sin slices its way onto our screens, picking up—sort of—where Dexter: New Blood left off.
At the Madras Music Academy recently, the Sivamohanam School of Kuchipudi dance presented “Triyambaam”, an ode to the three goddesses of Hindu mythology—the Goddesses of knowledge, prosperity and energy.
