Double win for India: Directorial debuts secure 1st and 3rd La Cinef prizes at Cannes
Chidananda S Naik's 'Sunflowers Were the First Ones to Know' clinches the Best Short Film award, while Mansi Maheshwari's 'Bunnyhood' secures third place.
Chidananda S Naik's 'Sunflowers Were the First Ones to Know' clinches the Best Short Film award, while Mansi Maheshwari's 'Bunnyhood' secures third place.
In Kolkata recently promoting their film, in their conversation with The Statesman, they talk about surrogacy as a subject; a subject that has not been explored much in Indian cinema.
After three decades, an Indian film, 'All We Imagine As Light' by Payal Kapadia, shines at Cannes, marking a triumphant return for Indian cinema to the prestigious festival.
Rani Mukerji discusses audience preferences in Bollywood, highlighting the success of women-centric films and her love for diverse storytelling.
Anil Kapoor leads in the adrenaline-pumping action drama 'Subedaar', grappling with inner and outer foes to protect his family.
Actress Raveena Tandon was recently feted with India's fourth highest civilian honour, Padmi Shri, at Rashtrapati Bhavan in Delhi for her contribution to Indian cinema.
Ever since the establishment of the entertainment industry, every era has been led by some actresses who have been considered the prettiest and most gorgeous women of their time by the masses. These women have ruled the hearts of the masses with their stunning charm.
Inspired by a true story, director Kaushik Ganguly’s latest venture 'Lokkhi Chhele' talks about a miracle child born with multiple limbs. Set in a village of the dalits on the outskirts of the city, the child gets celebrated as a ‘God child’, an incarnation of Ma Laxmi
Speaking about how women's roles have changed in cinemas now, Nushrratt feels now female characters are not only layered and complex rather than just being arm candy.
The delegation has been hand-picked from across the length and breadth of the country to represent different strengths and aspects of the country.