In the nuanced realm of legal fiction, where the interplay between truth and its provability continues to engage both jurists and writers alike, Dr. Sujay Kantawala’s latest book “The Verdict: Who Killed Sonia Verma?” emerges as a thoughtful and measured narrative.
Ananda Lal: In our traditional theatre, a single episode from the Mahabharata may take all night. What made you decide your time frame?
Amour and Anger is the latest book of sonnets by Subodh Sarkar, translated into English from Bengali by Bappaditya Roy Biswas.
The Virasat Anthology of Short Stories, comprising 34 short stories, is an eclectic collection of diverse voices.
Instead, Desai uses the mobile phone as a narrative doorway into the deeper patterns of Indian life—our families, aspirations, anxieties, and the invisible rules that govern how we behave, online and offline.
Navamalati’s eleventh collection of poems, I’d Once Erased Those Margins, is a thought-provoking exploration of the quiet spaces between emotions, a deeply intimate journey that leads readers into the crevices of her mind and consciousness, delving into the poet’s longing for love, friendship and peace.
Ari Gautier’s first novel was The Thinnai (Le Thinnai in the French original), a novel that brings the Franco Indian world of Kurusukuppam, its people and streets. Nocturne Pondicherry takes us back to that world once again
I, Salma is not just a book but a celebration of a woman who has become a feminist icon through her lived experiences and her writings against patriarchy. As the title suggests, it is the reiteration of the self, as pitted against the authoritative forces that stand against the freedom, dignity and identity of an individual, particularly if the identity is that of a marginalised person.
The book deals with the many facets of Salt Lake, its birth (1956), rise into a township (1962) and its present avatar.
When I chanced upon the recently published anthology of Indian English poetry, The Violet Sun, what first struck me was the care with which it had been curated and crafted. Like any publication by the Writers Workshop, this volume was bound in exquisite Indian handloom sari cloth and had the title regally embossed in gold.
