The organizer and the curators noted during the interview that the festival’s strength lies in its ability to engage a loyal audience with topics ranging from the Partition to the nuances of Gen-Z culture, effectively blurring the lines between high art and popular discourse.
In a gesture both distinctive and meaningful, the dignitaries were felicitated with garlands crafted from thermocol, a fitting tribute that subtly echoed Bibhutibhushan Bandopadhyay’s profound affinity for nature.
Fine Touch has organized a group art exhibition KALABIMB–26. The 9th edition of the prestigious national art exhibition, it has brought together an inspiring collection of paintings, sculptures, photography, and mixed-media artworks by 25 distinguished artists from across India and beyond.
The first signs of the developing global Super El Niño are no longer confined to satellite maps over the Pacific Ocean.
From Kashmir to Kanyakumari, from Imphal to Indore, the scale of the gathering at The Art of Living International Centre reflected the extraordinary breadth of his influence across public life.
The Me-gong Festival of Meghalaya has emerged in recent years as one of the most vibrant cultural showcases in India’s Northeast, a celebration that fuses tradition with modernity and positions the Garo Hills as a global stage for music, art, and community spirit.
In the second of a three-part series, RAJA M interviews Grok, an AI entity, to mark the second year of its existence.
Madhya Pradesh is a state often referred to as the heart of India. As I mentioned in the earlier part of this travelogue, it is perfect for a local, offbeat itinerary. You can visit a magnificent fort, dam, ancient temples, community-run homestays, a tiger reserve, and much more.
Yesterday, I took the train from Monopoli, where I’m currently staying, to visit the ancient and magical town of Ostuni—affectionately known as La Città Bianca, the White City.
For a long time, Indian cinema existed inside a language of anticipation. We spoke of it as an industry perpetually “on the brink”, of global recognition, of serious critical legitimacy, of finally being understood beyond stereotypes. Every festival screening was framed as a breakthrough, every foreign review treated as a moment of validation.
