‘Reel Green’ panel at IFFI explores how climate consciousness is redefining filmmaking

A compelling cross-continental dialogue on environmentally responsible filmmaking unfolded at the 56th International Film Festival of India (IFFI) underway at Goa, where creators from India, Japan, Spain and Australia came together for a panel titled “Reel Green: Sustainability and Storytelling Across Four Cinemas.”

Moderated by internationally acclaimed film critic Naman Ramachandran, the session examined how climate consciousness is reshaping both the craft and culture of cinema.

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Indian filmmaker Nila Madhab Panda set the tone by urging the industry to acknowledge its environmental footprint. Describing cinema as a powerful mass medium with a significant carbon impact, he stressed the need for production houses, especially smaller ones, to adopt greener practices wherever possible. “We have only one planet. Half of our energy resources are already consumed,” he reminded the audience.

Offering a contrasting view, Japanese producer Mina Moteki explained the limitations faced by low-budget filmmakers in her country. While large-scale productions can invest in green innovation, smaller projects often struggle with energy use, set management and logistics. Still, she noted ongoing efforts: “We are trying to save energy wherever possible,” signalling a slow but steady cultural shift.

Spain’s Anna Saura underscored that sustainability is not just logistical, it is a creative responsibility. She highlighted how thoughtful decisions in distribution, on-set management and resource use can make meaningful environmental contributions. “Every step we take matters,” she said, emphasizing the cumulative impact of small, consistent actions.

Australian filmmaker Garth Davis brought the discussion to the narrative realm, asserting that films themselves can help reconnect audiences with nature. “The younger generation wants change, and storytelling has the power to shape behaviour and values,” he said. Davis also shared how Australian productions prioritise leaving filming locations untouched—or better—after wrap, reflecting an ethos of respect for land, culture and community.

The panel explored diverse global practices, from Japan’s blend of traditional resourcefulness and modern systems to Spain’s Green Film Certification, which evaluates productions on their eco-friendly practices. The speakers agreed that many of these methods could be adapted across regions, reinforcing that sustainability must be woven into every phase of filmmaking—from script to screen.

A recurring theme was the pivotal role of young filmmakers. Whether pushing for eco-conscious sets, advocating for green certification, or embedding environmental themes into stories, the next generation was hailed as the driving force behind lasting change. Panelists also stressed the need for mentorship and institutional support, with Panda calling for certification mechanisms and Davis suggesting policy incentives tied to environmental performance.

Practical measures like minimising waste, reusing costumes and prioritising real locations over built sets were discussed as accessible steps for filmmakers worldwide. The panelists also called for stronger international collaboration, encouraging cross-border exchanges of ideas, training and best practices.